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Traditional Musics of the World

L-MUSIQ12

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Offering a global and sociological approach to music, the Melomaniac collection was built on the strong idea of ​​always placing musical work, instrumental life or vocal practice at the heart of human history.

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Offering a global and sociological approach to music, the Melomaniac collection was built on the strong idea of ​​always placing musical work, instrumental life or vocal practice at the heart of human history.

Whether it's a Honegger Pacific 231 illustrating early twentieth century machinery, a presentation of didjeridoo in relation to Aboriginal cultures in Australia, or a sacred song gdang of Tibetan monks, you will find in the various works Mélomaniac a real catch between the musical facts and their context of existence.

To read, watch and listen, here is a wonderful overview of music in the world: from Cuban salsa to Inuit songs, Celtic bagpipes to African drums, you will approach the most colorful practices on the planet!

This box "World Music" is presented as a passionately written guide that will offer everyone an amazing adventure in the heart of people who make the musical wealth of humanity:

- 9 main geographical areas of the world, presented through their populations, ethnic groups, languages, religions and heritage.
Areas: Europe, Africa, Middle East, South Asia, East Asia, North America, Central America and the Caribbean, South America, Oceania.
- 50 presentations on various musical cultures encountered (Scandinavian songs, Corsican polyphonies, Portuguese fado, Berber music, Indian ragas, Japanese gagaku ...)
- 50 original drawings made and 150 photographs
- 1000 monuments and natural sites referenced
- 90 musical extracts illustrating the specificity of the music of the countries of the world.

The box "The music of the world" consists of a book of 176 pages + 3 audio CD

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Traditional Musics of the World

Traditional Musics of the World

Offering a global and sociological approach to music, the Melomaniac collection was built on the strong idea of ​​always placing musical work, instrumental life or vocal practice at the heart of human history.

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